Katie Whipple Non-Toxic Materials List

Oil Pigments:
I do not expect students to purchase the entire list of pigments. The pigments I would recommend bringing to the workshop are in bold. Students should feel free to use any brand of paint they like, I have listed the brand of paint I use in parentheses.

Titanium White (Michael Harding Titanium White 2)

Bright Yellow Lake (Michael Harding)

Yellow Lake (Michael Harding)

Yellow Ocher (Rublev Blue Ridge Yellow Ocher)

Indian yellow (Michael Harding)

Permanent Orange (Michael Harding)

Napthol Red (Michael Harding)

Scarlet Lake (Michael Harding)

Alizarin Claret (Michael Harding)

Magenta (Michael Harding)

Indian red (Michael Harding)

Raw Sienna (Michael Harding)

Cypress Umber Light (Rublev) 

Transparent Oxide Red (Old Holland)

Burnt Umber (Michael Harding)

Raw Umber (Michael Harding)

Ivory Black (Michael Harding)

Amethyst (Michael Harding)

Permanent Mauve (Winsor & Newton)

Violet Grey (Old Holland)

Ultramarine Blue (Michael Harding)

Golden Green (Old Holland)

Viridian (Michael Harding) 

Medium:
Velasquez Medium (Rublev)

Oleogel (Rublev)

Solvent: 
Citrus Essence Brush Cleaner – Chelsea Classical Studio 
(PLEASE NOTE: If you are flying into Raleigh, please do not fly with this or any solvents. This product is highly flammable. AFAS will provide brush cleaner for anyone flying).

Brushes:
A selection of soft rounds (natural or synthetic), sizes 0-10 and a large and small bristle brush. 

I use Rosemary & Co. Series 22 Long Sables and Robert Simmons Signet bristle brushes 

Painting Surface:
Canvas, prepared panel or paper

For studies I often use paper prepared with two coats of PVA size, or a wood panel prepared with two coats of PVA size and 2 coats of oil prime. You are welcome to use whatever surface you are most comfortable working on.

Palette Knife

Brimmed hat or visor

questions?
Contact info@alia-fineart.com